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   Orifices   hydrostone and string  44" x 16" x 2"  2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

   Orifices   hydrostone and string  44" x 16" x 2"  2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

   Orifices   hydrostone and string  44" x 16" x 2"  2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

  Drawings Nos. 1, 2, 3   Installation view  hydrostone, poplar, and latex paint  Dimensions variable   2012     We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.     

Drawings Nos. 1, 2, 3

Installation view

hydrostone, poplar, and latex paint

Dimensions variable

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Drawing No. 1   hydrostone, poplar, and latex paint   53" x 13.5" x 6.5"  2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Drawing No. 1

hydrostone, poplar, and latex paint

53" x 13.5" x 6.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Drawing No. 2   hydrostone, poplar, and latex paint  45" x 11" x 7"   2012       We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Drawing No. 2

hydrostone, poplar, and latex paint

45" x 11" x 7"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Drawing No. 3    hydrostone, poplar, and latex paint  50" x 16.5" x 7.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Drawing No. 3

hydrostone, poplar, and latex paint

50" x 16.5" x 7.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Drawing No. 3 , detail    hydrostone, poplar, and latex paint  50" x 16.5" x 7.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Drawing No. 3, detail

hydrostone, poplar, and latex paint

50" x 16.5" x 7.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Drawings Nos. 1, 2, 3   Installation view  hydrostone, poplar, and latex paint  Dimensions variable   2012

Drawings Nos. 1, 2, 3

Installation view

hydrostone, poplar, and latex paint

Dimensions variable

2012

  Prowess   hydrostone and aluminum  15" x 10" x 2.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Prowess

hydrostone and aluminum

15" x 10" x 2.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Trio   hydrostone and wood  5" x 5" x 2"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Trio

hydrostone and wood

5" x 5" x 2"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

  Pincer   hydrostone and found crab claw   6" x 2" x 4.5"  2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    

Pincer

hydrostone and found crab claw

6" x 2" x 4.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

   Organ   Poplar  17" x 3" x 4"  2011   

 Organ

Poplar

17" x 3" x 4"

2011

 

   Blood Shrine     (17 Days)   Fabricated steel, glass, and blood    66" x 30" x 3"  2011

 Blood Shrine (17 Days)

Fabricated steel, glass, and blood 

66" x 30" x 3"

2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

 Orifices

hydrostone and string

44" x 16" x 2"

2011

Drawings Nos. 1, 2, 3

Installation view

hydrostone, poplar, and latex paint

Dimensions variable

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Drawing No. 1

hydrostone, poplar, and latex paint

53" x 13.5" x 6.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Drawing No. 2

hydrostone, poplar, and latex paint

45" x 11" x 7"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Drawing No. 3

hydrostone, poplar, and latex paint

50" x 16.5" x 7.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Drawing No. 3, detail

hydrostone, poplar, and latex paint

50" x 16.5" x 7.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Drawings Nos. 1, 2, 3

Installation view

hydrostone, poplar, and latex paint

Dimensions variable

2012

Prowess

hydrostone and aluminum

15" x 10" x 2.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Trio

hydrostone and wood

5" x 5" x 2"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

Pincer

hydrostone and found crab claw

6" x 2" x 4.5"

2012

 

We are messy creatures made of meat and fluids; I take this mess and present it in a formal way. I am interested in the inherent tension between strength and vulnerability. In my sculpture, I offer the most delicate pieces of myself, and through this I assert my strength as a young woman who is just discovering what her hands can do for her head.

 

 Organ

Poplar

17" x 3" x 4"

2011

 

 Blood Shrine (17 Days)

Fabricated steel, glass, and blood 

66" x 30" x 3"

2011

   Orifices   hydrostone and string  44" x 16" x 2"  2011
   Orifices   hydrostone and string  44" x 16" x 2"  2011
   Orifices   hydrostone and string  44" x 16" x 2"  2011
  Drawings Nos. 1, 2, 3   Installation view  hydrostone, poplar, and latex paint  Dimensions variable   2012     We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.     
  Drawing No. 1   hydrostone, poplar, and latex paint   53" x 13.5" x 6.5"  2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Drawing No. 2   hydrostone, poplar, and latex paint  45" x 11" x 7"   2012       We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Drawing No. 3    hydrostone, poplar, and latex paint  50" x 16.5" x 7.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Drawing No. 3 , detail    hydrostone, poplar, and latex paint  50" x 16.5" x 7.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Drawings Nos. 1, 2, 3   Installation view  hydrostone, poplar, and latex paint  Dimensions variable   2012
  Prowess   hydrostone and aluminum  15" x 10" x 2.5"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Trio   hydrostone and wood  5" x 5" x 2"   2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
  Pincer   hydrostone and found crab claw   6" x 2" x 4.5"  2012      We
 are messy creatures made of meat and fluids; I take this mess and 
present it in a formal way. I am interested in the inherent tension 
between strength and vulnerability. In my sculpture, I offer the most 
delicate pieces of myself, and through this I assert my strength as a 
young woman who is just discovering what her hands can do for her head.    
   Organ   Poplar  17" x 3" x 4"  2011   
   Blood Shrine     (17 Days)   Fabricated steel, glass, and blood    66" x 30" x 3"  2011